Automated Author ProfileCARVALHO, VÂNIA CARNEIRO DE
CARVALHO, VÂNIA CARNEIRO DE
Current S-Index
Sum of Dataset Indices for all datasets
Average Dataset Index per Dataset
Average Dataset Index per dataset
Total Datasets
Total datasets for this author
Average FAIR Score
Average FAIR Score per dataset
Total Citations
Total citations to the author's datasets
Total Mentions
Total mentions of the author's datasets
S-Index Interpretation
The S-Index (Sharing Index) is a comprehensive metric that represents the cumulative impact of all your datasets. It is calculated as the sum of Dataset Index scores across all your claimed datasets.
What it means:
- A higher S-index indicates greater overall impact of your datasets relative to typical datasets in their fields of research
- The S-Index grows as you add more datasets or as existing datasets gain more citations and mentions
- It provides a single number to track your research data impact over time
Current S-Index: 1.4 (sum of 2 datasets Dataset Index scores)
More information here.
S-Index Over Time
Cumulative Citations Over Time
Cumulative Mentions Over Time
Datasets
ABSTRACT The article discusses the formation of feminine identity associated with body exposure. The sexualization of this issue has left a long lasting matrix behind - the aristocratic French etiquette of the 18th century. One of the social conservation strategies of this scenographic repertoire may be found in the production of sculptures that represented aristocratic scenes, which became known as fêtes galantes. These objects are associated with a network of representations as wide as the classical ballet, films and animations present in adults’ and children’s imagery.
Authors
- CARVALHO, VÂNIA CARNEIRO DE
ABSTRACT The article discusses the formation of feminine identity associated with body exposure. The sexualization of this issue has left a long lasting matrix behind - the aristocratic French etiquette of the 18th century. One of the social conservation strategies of this scenographic repertoire may be found in the production of sculptures that represented aristocratic scenes, which became known as fêtes galantes. These objects are associated with a network of representations as wide as the classical ballet, films and animations present in adults’ and children’s imagery.
Authors
- CARVALHO, VÂNIA CARNEIRO DE