Description
After 1200. From a room above the chapter house of the Monastery of San Pedro de Arlanza, near Hortigüela, Burgos, Spain (sold by the government in the nineteenth century). The Cloisters Collection, 1931. MET, New York City. Tail coiled, claws extended, and feet braced, this dragon is a powerful counterpart to the lion opposite. Medieval beasts, whether real orimaginary, were often imbued with symbolic meaning, as they are in animal fables today. It is not always possible, however, to reconstruct their specific intention in a given monument, and such beasts could be for "aesthetic delight," as one thirteenth-century archbishop commented. The monastery from which this fresco comes was abandoned in 1841.Source: Objaverse 1.0 / Sketchfab
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Publication Details
DOI
Publisher
Zenodo
Subfield
Archeology
Field
Arts and Humanities
Domain
Social Sciences
Confidence Score
38%
Source
Scholar Data Model